
About Ferry Tales
Ferry Tales: The Recollection is the story of a 27-year-old African-American who thinks that drank, dank and d*ck are all of her Black Millennial needs.
That is until Anana Johnson is yanked by an unexpected, and undeniable, invitation to her best friend’s wedding in West Africa that will send her across oceans, generations, and cultures to reassemble the long-shattered pieces of her identity that were lost somewhere in between by recalling her truth, herself—or sink in the sandy whirlpool.
From the city streets of Harlem, New York to the seaside hills of Lisbon, Portugal to the slave houses in the Senegalese Sahara, Anana is thrust uncontrollably into the troubled waters from which she was birthed. There, she must wade through the tide of generational trauma, language barriers, and modern inconveniences to conquer not only the dark streets of Dakar, Senegal but also the Black labyrinth that is herself. Sprinkle in international romance(s), lost iPhones, and encouraging Atlantic winds and now she’s on an African diasporic global identity journey from which she may never return.
Driven by her determination to honor her lost enslaved ancestors and to be a good friend, while still trying to fight the universe’s current, this drunk and hot girl enters life’s arena cloaked in the haze of western media & Sahara dust choosing to either hang on to what she believes, accept what’s possible or drown somewhere in the middle.
Praise for
Ferry Tales
"Ferry Tales is an extraordinary and passionate transatlantic journey. Unapologetic in style and story, Armstrong's voice sings from the page. Ferry Tales sings a new, powerful song of ancestral memory, humor, love, travel, and identity. An ode to the Diaspora. Ferry Tales is a joyous and subversive novel which is both an international love epic and, at the same time, a damning indictment on Corporate America. Authentic, poetic, and unflinching, Armstrong writes in the literary tradition of Hurston, Angelou, and Walker."
-MK Asante, New York Times bestselling author
SNAPSHOTS FROM THE TALE
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Themes of Reader Interest:
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Black Diaspora identity journey
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Coming-of-age/quarter-life crisis
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Romance
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Erotica
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Mysticism
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Hot girl lifestyle
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International travel
Excerpt from Chapter One of Ferry Tales:
I hate working for white people. That’s because they’re good at demanding more than your salary warrants and scheduling conference calls too close to happy hour. This Friday was no different. If I had a dime for the number of swivels of anxiety I’ve made in this meeting, I’d be able to pay for the Hennessy that I’d rather be meeting the bottom of. But after several hangover-induced missed editorial deadlines, I found myself in a boardroom full of white men in starched suits—filled with flesh just as stiff and dense as the mannequins they were once on. Rubbing my eye, the crust from last night’s mascara and wrinkled work dress confirmed that I gotta stop drinking during the week. Not this week, though. My eyes and Herman Miller chair rolled and twirled about like a Sufi in reverence. My mind was jealous of the wind that lifts the mystics’ skirts for it asks not permission nor forgiveness—a privilege Black girls like me don’t have.
You would think the white-ass schools I went to would have prepared me for this nonsense in Corporate America. I’m sure my parents meant well by raising my sister and me in the suburbs. But that shit fucked me up. My chemically-processed hair wasn’t the only thing that suffered. Its follicles were never straight enough for the white girls. My tongue was too straight for the Black girls. And I was only pretty “for a brown-skinned girl”. These were two different ends of the spectrum—yet an equal rejection of me who lay in the middle. While I could have barely passed the brown paper bag test, my peers made it clear I couldn’t pass the ‘black enough’ exam. Fucking middle school. Was Black not beautiful, or was my Black not beautiful? Twenty years later, I’ve got this Caucasian in front of me, turning his lips up from disappointment in my work ethic rather than my beauty. Screaming to only myself, “[Insert generically white name here], go fuck yourself about these ‘late’ social media posts.” My unwillingness was the flatulence from the rotting of bleached nutrients that my whiteness-intolerant system could no longer digest. Now, I’m drowning in bills in the world they accused me of assimilating into—and I’d rather drown in a bottle.

Meet the Author
My name is Abrea Armstrong
Abrea Armstrong was born and raised in North Carolina and is a proud descendant of enslaved Africans. She earned her BA in Spanish Language & Literature from St. John’s University in Queens, New York. While living in NYC, she contributed to publications such as XXL Magazine, Revolt TV, and HuffPost Live, and was awarded a private poetry grant. Her poetry is now part of the Special Collection at the Z. Smith Reynolds Library at Wake Forest University.
Throughout her career, Abrea has been recognized for her excellence in mass communications, receiving honors including the Triad Business Journal’s 40 Under 40 Most Influential African-Americans, 20 in their 20s, and Leader in Diversity in 2020. She was also named Most Valuable Emerging Leader by the National Urban League and received the 2022 MLK Young Dreamer Award from the City of Winston-Salem.
Ferry Tales is her debut novel, inspired by her own life experiences. Since her first journey to the Motherland, she has deepened her connection to her roots and officially became a Ghanaian citizen in November 2024. Abrea currently resides in her hometown of Winston-Salem, North Carolina.
Abrea is available for speaking engagements, readings and other appearances. Please complete the form below with your inquiry.







